Tuesday, April 17, 12:30pm ET, Berkman Center for Internet & Society, 23 Everett St, Cambridge, MA. This event will be webcast live.
ICT4D (Information Communication Technology for Development) powerfully frames women's grassroots video production in the Global South, much of which is distributed widely through YouTube. Often, these videos reproduce racialized and gendered discourses - legacies of colonialism - in their narratives of economic, social, and technological progress. However, there are also videos by women's groups that defy both the historical linearity and spatial fragmentation of the ICT4D framework. These videos instead remix, reclassify, and globally reconnect women's experiences in the contemporary moment. Culled from hundreds of online videos produced by ICT4D programs, including those in countries classified as having "Low Human Development" according to the Gender Inequality Index of the United Nations Development Program, these media represent powerful instances of a decolonial aesthetics, an altogether unexpected development. These ICT4D videos make compelling claims for other historical narratives and visions for women's future lives, identities, and uses of information communication technologies.
Dalida María Benfield's research addresses artists' and activists' creative uses of video and other networked digital media towards social justice projects. Her work is focused on the transformational capacities of media art across different scales. As an artist and activist, she has developed production, education, exhibition, and distribution initiatives focused on youth, women, people of color in the U.S., and local and transnational social movements, including co-founding the media collective Video Machete. She received her Ph.D. in 2011 from the University of California-Berkeley in Comparative Ethnic Studies with Designated Emphasis in Women, Gender, and Sexuality Studies. RSVP Required- more information on Berkman's website>